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Canon PowerShot V1: two-minute review
There’s been a buzz surrounding the PowerShot V1, principally because the compact V-series vlogging camera is like a bigger sibling to the trending (and dated) PowerShot G7X Mark III, with an all-new 1.4-inch sensor and 16-50mm lens.
Put the two cameras side by side and the design / control layout similarities are clear (see below) – these are pocketable compact cameras, with the PowerShot V1 being the bigger of the two, and both offer impressive suites of video features.
The PowerShot V1’s most obvious rival is the Sony ZV1-II, while the DJI Osmo Pocket 3 is a gimbal-stabilized alternative, and in many regards the well-rounded PowerShot V1 is a clear winner, even if there’s a strong case to be made for DJI’s take on the format.
Headline features include that 22.3MP, 1.4-inch sensor. That’s a rare sensor size – it’s essentially the same as Micro Four Thirds, but in 3:2 aspect ratio rather than 4:3. It measures 18.4 x 12.3 mm – much bigger than the 1-inch type used in the aforementioned rivals, which measures 13.2mm x 8.8mm.
A bigger sensor size in general means better image quality, but there are caveats. The notable PowerShot V1 drawback for me is the f/2.8-4.5 maximum aperture of its 3.1x optical zoom lens. Compare that to the ZV-1 II’s f/1.8-4, and the PowerShot G7X Mark III’s 4.2x zoom with a f/1.8-2.8 maximum aperture, and the V1 comes up short for light-gathering capabilities, which in some respects counters the image-quality advantage of its larger sensor.
Still, it’s the widest lens of the bunch, with a 16-50mm range that’s ideal for vlogging. Even with digital image stabilization active and the consequent image-area crop applied, the framing is plenty wide enough for vlogging with the camera at arm’s reach – that extra 2mm at the wide end goes a long way.
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The comprehensive suite of video features includes cooling vents and unlimited 4K 30fps video recording times, a built-in ND filter, Canon’s best-ever autofocus for a PowerShot compact, plus mic and headphone ports.
Photographers are well catered for too, with a hotshoe accepting an external flash (but not 5-pin ones), and a rapid 15fps burst shooting speed that’s doubled when using the electronic shutter, ably supported by that reliable subject-tracking autofocus.
Image stabilization is unavailable when shooting 4K video at 60fps, plus there’s a 1.4x crop using this setting – I’m sure I’ll discover a few more drawbacks when I have the camera back in for in-depth testing.
However, the PowerShot V1 makes a strong first impression. As a complete package with Sony-beating features and a relatively decent price, it looks set to be a vlogging star.
Canon PowerShot V1 specs
Type: | Comapct camera |
Sensor: | 1.4-inch, 22.3MP |
Focal length: | 16-50mm |
Max aperture: | f/2.8-4.5 |
Dimensions: | 118.3 x 68 x 45.2mm |
Weight: | 15oz / 426g |
Canon PowerShot V1: Price and availability
- £959.99 (US and Australia pricing TBC)
- Available from early April, exact date TBC
The Canon PowerShot V1 costs £959.99, with US and Australia pricing to be confirmed, and is due to hit the shelves in early April, with an exact release date also yet to be confirmed by Canon.
That starting price is less than what the older G7X Mark III currently goes for, with scalpers are capitalizing on the smaller model’s popularity. However, the Sony ZV-1 II costs around 20% less than the V1, while the DJI Osmo Pocket 3 is about half the price.
Canon PowerShot V1: Design
- 16-50mm f/2.8-4.5 lens with customizable ring and 5EV optical stabilization
- Similar design and control layout to the PowerShot G7X Mark III
- Includes hotshoe, tally lamp, headphone and mic ports
Canon has created a well-rounded and solid compact camera with a focus on video, but which also packs a solid suite of photography features.
Its design and control layout are strikingly similar to the PowerShot G7X Mark III’s (see below), but on a larger scale that has enabled extra features such as a hotshoe, vari-angle screen, plus of course that larger sensor.
The camera sits nicely in the hand thanks to a generous handgrip, and is adorned with a number of customizable buttons and controls, with special mention going to the lens ring, which is ideal for making quick changes to aperture or your desired setting.
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With the camera off and the lens retracted, I’d call the PowerShot V1 pocketable, which is impressive given the decent-size 1.4-inch sensor within.
A vari-angle touchscreen is pretty much the norm in 2025 for video-focused cameras – it can be flipped out and tilted upwards for easy viewing from awkward angles when shooting horizontally, and flipped around for vlogging.
Another handy feature for vlogging is a tally lamp, which lights up red to confirm when you’re recording. You can also opt for manual focus peaking and zebra display, plus timecode – again, all handy video features.
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Cooling vents are found on the top and left-hand side of the camera, and these effectively enable unlimited 4K video record times. This isn’t the sort of feature I’d expect in a camera at this level and price point, so kudos to Canon for that.
There’s a decent internal mic, and Canon provides a wind muff with the camera that slots into the hotshoe to be positioned over the mic for clearer audio on breezy days.
When using the internal mic, the wind muff feels like a must, even if it somewhat obstructs some of the camera controls, such as the on/ off switch.
Still, if you’re a serious creator you’ll be using an external mic instead, and these can be connected using the 3.5mm mic input, with sound monitoring possible through headphones and on-screen.
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The lens is equipped with optical image stabilization (OIS) that’s rated up to 5EV. That’s a decent performance for photography, though it’s of little use for video. For that, there’s digital (or electronic) image stabilization (DIS). There’s a small crop of the image area with DIS active, and even more with the enhanced DIS option, and that’s where the V1’s wider-than-most 16mm wide focal length is particularly handy – you’ll still be able to frame yourself nicely in the shot with stabilization active.
Canon PowerShot V1: Performance
- Canon’s best-ever autofocus for a PowerShot
- Digital image stabilzation only for video
- 4K video 30fps, 4K 60fps with a 1.4x crop, Full HD 120fps
I haven’t had enough time with the PowerShot V1 to run full tests, but during my two-day hands-on time I have been able to use the various video record modes, snap a few photos, check image stabilization performance and shoot a few short vlogs using the internal mic.
In the sample footage below, I cover 4K 30fps, 4K 60fps, image stabilization, and the 3.1x optical zoom among other things.
Overall, 4K video footage is crisp, and subject-tracking autofocus is reliable – and that’s something that’s not to be taken for granted. Canon says it has put its best-ever autofocus for a PowerShot compact in the V1, and it really does perform well.
Usually, the camera’s exposure metering and color are linked to the focus area. When focus was locked onto me, exposure looked fine with the help of an auto ND filter, although I have seen shifts in the color of my skin in vlogs – some look spot on, others a little green, others too magenta. It’s a good practice to set white balance manually, rather than rely on auto white balance.
4K 60fps video looks great too, although you’ll lose out on the option for Digital Image Stabilization at this setting, while there is also a 1.4x crop of the image area.
I don’t mind the crop so much, as it effectively extends the lens for close-up B-roll. There’s also a crop when you employ enhanced DIS (not available with 4K 60fps), but the V1’s widest 16mm focal length gives a lot of scope for cropping into the image area for vlogging. Lens focal length might sound like a small thing, but Canon has been smart with its choice of 16mm focal length for the wide setting.
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Canon’s 22.3MP 1.4-inch sensor is new, but we get Canon’s familiar color science, and that’s a good thing. Full-size photos look natural and are packed with detail – my skin and facial hair are super-crisp in the selfie above.
The PowerShot V1 also has decent close-focusing skills, so you can create photos and dynamic video cutaways for vlog footage – check out the flower closeups, again in the sample gallery above.
Would I have preferred a faster maximum aperture, say f/1.8-2.8? Yes, but that wouldn’t be possible within the same compact lens dimensions. In any case, with the lens set to its maximum aperture (f/2.8-4.5) and when the focus distance is close, it’s possible to get a lovely shallow depth of field.
I’ll share more findings in my upcoming in-depth review.
How I tested the Canon PowerShot V1
- Tested for two days, full production model
- I shot various handheld video clips using a range of resolutions and frame rates, and with stabilization active and off.
- I recorded vlogs using the in-camera mics only
I’ve not had long enough with the PowerShot V1 to give a definitive verdict. However, the two days over which I tested the compact vlogging camera gave me enough time to have a play with the various video modes on offer, including 4K and Full HD videos, and 60fps and 30fps frame rates, make short vlogs using the in-camera microphone, and shoot comparison videos with the stabilization active and turned off, to see how effective digital stabilization is for video. I’ve also made several photos in full quality.
- First reviewed March 2025
