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Whether you’re shooting for YouTube or directing a feature film, using the best video camera will instantly boost your production values. But which one is right for you will depend on what, how and where you’re trying to shoot. To help you find the answer, we’ve extensively tested the top video cameras in 2024 and ranked our favorites in the guide below.
Based on our reviews, we think the best video camera for most people is currently the Panasonic S5 II. An update to one of our previous favorites, it produced excellent 6K footage in our tests. Together with phase detection AF and a compact form factor, we think it offers excellent value for videographers. That said, we know it won’t be the perfect choice for everyone.
From compact vlogging cameras to flagship filmmaking tools, you’ll find a full range of recommendations here for every need and budget. Our experienced team has reviewed each in depth, testing everything from handling and connectivity, to frame rates, stabilization and overall image quality. Together with our buying tips at the bottom, we’ve summarized the results below.
Top 3 picks
Don’t have time to read our full list of the best video cameras? Our top three choices cover the best budget, premium and overall options. When you find one that takes your fancy, use the links to jump to our full write-up.
The best value video camera overall
Neat proportions, uncropped 6K and effective phase detection AF make the S5 II a fantastic value tool for quality video.
Read more below
The best budget video camera
The GH5 was already a great choice; the Mark II adds new tricks like wireless live streaming to make it an even better video camera.
Read more below
The best premium vlogging camera
Pairing a full-frame sensor with a compact build and AI smarts, the Sony ZV-E1 is the most capable vlogging cam you can buy.
Read more below
Best by use-case
The best 8K video camera
Built like a sturdy DSLR, Nikon’s landmark Z9 joins the select list of mirrorless cameras capable of shooting 8K/30p video.
Read more below
5. Blackmagic Cinema Camera 6K
The best video camera for filmmaking
Unforgiving for beginners, the Cinema Camera 6K delivers superb 6K video with boundless editing possibilities for pros.
Read more below
The best beginner vlogging camera
Refined successor to the ZV-E10 is a powerful little 4K camera with superb autofocus for vlogging on the go.
Read more below
The best stabilized pocket camera
A 1-inch sensor and bigger display are welcome upgrades to DJI’s compact gimbal cam, which now offers a useful portrait mode.
Read more below
The best drone for video
The world’s first triple-camera drone is the most versatile Mavic to date, provided you’re happy to deal with its weight restrictions.
Read more below
Timothy Coleman
Tim is TechRadar’s Cameras editor, with over 15 years in the photo video industry. Through his work in tech journalism and freelance videography, Tim has developed a deeply technical knowledge of recording equipment, with practical experience of what makes a good video camera. Tim notes, “there’s no one-size-fits-all video camera. In putting together this list, we’ve tried to cover a range of shooting styles and requirements. That includes premium 8K cameras for high-res cinematography, compact options for run-and-gun videography, and pocket-friendly cameras for quality vlogging.”
The best video cameras in 2024
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Below you’ll find full write-ups for each of the best video camera picks in our list. We’ve tested each one extensively, so you can be sure that our recommendations can be trusted.
The best value video camera overall
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Panasonic Lumix S5 II sample video
Buy it if:
✅ You shoot for social: The S5 II can open gate video, so no unnecessary loss of detail when shooting in narrower aspect ratios than 16:9.
✅ You work handheld a lot: Superb image stabilization, phase-detection autofocus, a lightweight a durable body, the S5 II suits run-and-gun filming.
Don’t buy it if:
❌ You like slow-motion effects: The S5 II’s 4K /60p incurs a 1.5x crop, which can be limiting for shooting wide angle.
❌ You care what your camera looks like: We’d describe the S5 II as functional over fashionable.
A timely update to one of our favorite video cameras, the Panasonic Lumix S5 II cements its status with a fleet of improvements. Despite compact proportions, we found it reassuringly solid yet comfortable to use during our review, with plenty of dedicated dials and buttons. Video is where the S5 II excels: in testing, we found the quality of its 6K/30p footage excellent, with rich colors and wide dynamic range. Usefully, 10-bit recording is available across almost all resolutions and frame rates. The S5 II can also record uncropped footage using the sensor’s full 3:2 aspect ratio, which offers welcome versatility when cropping content for social.
The S5 II is Panasonic’s first mirrorless model with phase detection AF for video, and it works dreamily. Paired with image stabilization that’s superbly effective for handheld work, it’s a great choice for run-and-gun videographers, even if the 1.5x crop on 4K/60p video can be limiting. Serious filmmakers will find the Lumix S5 IIX even more compelling, but features like unlimited recording times mean the S5 II is a fantastic tool for high-quality video.
Read our in-depth Panasonic Lumix S5 II review
The best budget video camera
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Panasonic GH5 Mark II sample video
Buy it if:
✅ You want bang for buck: The GH5-series offers excellent value for money if video is your focus.
✅ You want the bells and whistles: An excellent choice of 4K video codecs and features, plus live streaming capabilities.
Don’t buy it if:
❌ You need the best autofocus: The GH5 II predates Panasonic rolling out its more effective phase detect autofocus, as found in the S5 II.
❌ You own a GH5 already: For most people there isn’t enough reason to update from the GH5 to the GH5 II.
The original Panasonic GH5 was arguably the first mirrorless camera to do both 4K video and stills photography well, but its successor faces much stiffer competition. While it doesn’t represent a huge upgrade, the Mark II stands out by virtue of its built-in wireless live streaming capabilities. At the time of writing, you won’t find these on any other mirrorless camera. While its sensor may be relatively small (which does limit its low-light capabilities), our tests also revealed it to be a mighty video camera.
In our review, we found its overall video skills remain strong: 10-bit 4:2:2 footage can be recorded internally or externally, there’s a wide variety of frame rate options and various anamorphic video resolutions, plus Panasonic’s flat V-Log profile gives you 12 stops of dynamic range to play with in post-production. We think the fact that the GH5 Mark II includes all this in a compact, lightweight and weatherproof body with effective IBIS makes it all the more impressive. Consider it if you don’t have the budget (or perhaps the need) for the GH6.
Read our in-depth Panasonic GH5 Mark II review
The best premium vlogging camera
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Sony ZV-E1 sample video
Watch On
Buy it if:
✅ You work alone: Equipped with the latest AI-tech, the ZV-E1 is the ultimate camera for content creators who operate solo alone yet want a high-quality output.
✅ You want the best 4K video in any light: The ZV-E1 inherits the Sony A7S III sensor tech which remains one of the best 4K camera around, yet it costs much less.
Don’t buy it if:
❌ You shoot long videos: Cameras like the FX3 or A7S III feature cooling vents, unlimited record times and dual card slots. The ZV-E1 does not.
❌ You need a robust camera: The ZV-E1 is made out of recycled plastics, whereas pricier models are made out of tougher materials that will stand up better to heavier use.
Combining compact proportions with class-leading video, the ZV-E1 is a fantastic pick if vlogging is your genre. It’s the lightest Sony camera with in-body image stabilization, which means it’s comfortable to work with when vlogging alone. On the other hand, we were a little disappointed by the vari-angle display in testing, finding it difficult to see outdoors. It’s also a shame that the ZV-E1 has only one card slot and no cooling vents.
Still, the ZV-E1 is undeniably a winner for video. In our tests, its excellent 12.1MP sensor produced clean 4K/60p footage in all lighting scenarios. We also found that its S-Cinetone color profile looks fantastic straight out of the camera, without any post-production. Its image stabilization proved excellent as well, smoothing out handheld footage. AI smarts help to keep shots reliably in focus, while a neat Auto Framing trick tracks subjects so effectively that you might believe that a manual operator was responsible – a big help for vloggers shooting solo.
Read our in-depth Sony ZV-E1 review
The best 8K video camera
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Buy it if:
✅ You need a dependable camera for most situations: Built like a tank and good for lengthy record times, the Z9 offers the kind of reliability demanded by video pros.
✅ You want excellent 8K: Following a firmware update, the Z9 boasts 8K/60p with internal RAW – that’s a first for a mirrorless camera.
Don’t buy it if:
❌ You want a lightweight tool: Compared to almost every other camera in this guide, the Nikon Z9 is both heavy and bulky.
❌ You only shoot video: The Nikon Z9 could be overkill if you only shoot video and don’t need the high-end build quality and performance.
Nikon’s full-frame flagship is a landmark model: it’s the first pro camera to ship with no mechanical shutter. And while its bulky, rugged DSLR styling felt comfortably familiar, our testing confirmed that the Z9 is a truly modern machine. One of a select few cameras that can record 8K/30p footage, the Z9 also offers filmmakers a candy store of capabilities. Besides 4K slow-mo at 120fps, it serves up sharp oversampled 4K video, together with lengthy 125-minute recording times and reliable Eye AF tracking. We found that image quality from the 45.7MP stacked CMOS sensor was superlative, with huge cropping potential, aided by superb image stabilization.
And it’s only going to get better: a firmware upgrade is set to unlock a host of recording skills later this year, including the option to shoot raw 8K/60p video internally – a first for any mirrorless camera. Its abilities might be overkill for many, but with rapid performance, a two-way tilting touchscreen and video enhancements already inbound, we think the Z9 is a seriously impressive, competitively priced tool for professional videographers. That said, if you don’t need the long video record times and battery life of the Z9, the Nikon Z8 offers the same video quality in a smaller body that costs a lot less.
Read our in-depth Nikon Z9 review
The best video camera for filmmaking
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Buy it if:
✅ You want superb cinema footage from a handheld: Blackmagic’s excellent 12-bit codec and workflow are perfect for serious filmmakers who demand impeccable raw video quality.
✅ You’re operating on a tight budget: For the video spec you get, and the cheap L-Mount lenses available, you’re getting excellent bang for buck.
Don’t buy it if:
❌ You want a video-first hybrid camera: The Cinema Camera 6K is practically useless for still photography.
❌ You’re into run-and-gun filming: The Cinema Camera 6K lacks user-friendly features like tracking autofocus and in-body stabilization.
Lacking many of the niceties most users would expect, the Blackmagic Cinema Camera 6K requires a high degree of video knowledge. But the pay-off for this barrier to entry is an impressive set of capabilities: in our review, we found it produces superb raw video quality at 6K resolution. Its big sensor and dual native ISO also allow the Cinema Camera 6K to capture clean footage in dark conditions, while Blackmagic’s proprietary 12-bit codec offers the potential for endless tweaking in post.
Factor in L-mount lenses and ND filters and it quickly becomes a chunky camera. It’s not cheap, either, and you don’t get user friendly features such as tracking autofocus or in-body image stabilization. That said, the price is relatively low for the pro-grade video spec. You need to know how to color grade to unlock its best, but serious filmmakers will appreciate the flexibility. If you want sublime 6K from a handheld camera and you have the requisite editing skills, the Cinema Camera 6K is a serious contender.
Read our in-depth Blackmagic Cinema Camera 6K review
The best beginner vlogging camera
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Buy it if:
✅ You want a compact interchangeable lenses vlogging cam: The Sony ZV-E10 is a tiny 4K vlogging camera with a fully articulating screen and a host of compact lenses.
✅ You want a high-quality streaming camera: The Sony ZV-E10 is a fine webcam or live-streaming camera with plug-and-play ease.
Don’t buy it if:
❌ You want a viewfinder: You’re relying on the touchscreen only for composing videos and photos.
❌ You shoot run-and-gun Image stabilization is only OK. If you want stable footage on the move, a gimbal is advisable.
If you want a capable video camera for vlogging that fits in your pocket, then the Sony ZV-E10 II is an excellent option. Despite its compact and lightweight build, the ZV-E10 II packs the same 26MP APS-C sensor as pricier Sony cameras such as the FX30 and A6700, and it can shoot sharp 4K footage (up to 60fps), plus Full HD slow-mo at up to 120fps.
Mic-in and headphone ports give welcome audio flexibility, while the Multi-Interface hot shoe mount means you can readily accessorize your setup. The ZV-E10 II also enjoys a wide range of lenses perfect for vlogging, including compact wide aperture prime lenses.
Despite the lack of a viewfinder which makes the ZV-E10 II feel firmly in the video camp rather than hybrid, we felt that the fully articulating touchscreen also makes framing a cinch, and UVC/UAC computer connectivity unlocks easy live-streaming. Sony addressed the two major flaws with the ZV-E10 in this second-gen model; providing a 4K/60p video setting and reducing rolling shutter distortion when panning. The Sony ZV-E10 is pricier than its predecessor, but still comes in at a beginner-friendly price tag.
Read our in-depth Sony ZV-E10 II review
The best stabilized pocket camera
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Buy it if:
✅ You shoot handheld solo vlogs: The three-axis gimbal offers unmatched stabilization, while ActiveTrack works like a virtual cameraman.
✅ You switch between vertical and horizontal video: The neat LCD screen swivels to instantly switch between video formats.
Don’t buy it if:
❌ You shoot a lot of photos, too: The Pocket 3 shoot OK photos, but you’re getting it for video really.
❌ You’re happy with your smartphone: If you prefer shooting with your phone, a gimbal mount like the DJI OM 5 might make more sense.
The Pocket 2 was one of our favourite tools for solo videographers. The DJI Osmo Pocket 3 upgrades the shooting experience. A larger 1-inch sensor and battery make it heavier than before, although we actually think this gave it a sturdier feel in the hand. The former generally produced great dynamic range and color in testing, as well as better results in low light. The latter means the Pocket 3 can record 4K video for a solid two hours.
Its overall design remains the same, with a gimbal-stabilized lens sitting atop a pocket-friendly body. One of our favorite features in testing was the new 2-inch OLED display. It’s still on the small side, but felt like a great improvement over the Pocket 2 and much more accessible. Together with portrait filming, faster slow-mo frame rates and live-streaming support, we think these skills make the Pocket 3 a fantastic choice for content creators filming alone.
Read our in-depth DJI Osmo Pocket 3 review
The best drone for video
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DJI Mavic 3 Pro sample video
Buy it if:
✅ You need telephoto lenses: If you can make use of its two telephoto lenses, the Mavic 3 Pro is more versatile than any single-camera drone.
✅ You need an excellent main camera: The 24mm Hasselblad camera with Four Thirds sensor, 5K video and adjustable aperture combine to great effect.
Don’t buy it if:
❌ You only need a wide-angle camera If one camera is enough, the Mavic 3 Classic is better value.
❌ You’re a drone beginner The Mavic 3 Pro is easy to fly and offers excellent safety features, but it comes with flight restrictions given its weight.
Not every aerial filmmaker will need three cameras on a drone. For those that do, the Mavic 3 Pro pushes the boundaries of creative potential: equipped with a 20MP Four Thirds main camera (with adjustable aperture), as well as 70mm and 166mm telephoto cameras, it’s the most versatile Mavic drone to date. In testing, video results proved predictably impressive, with the 70mm camera hitting the sweet spot between quality and functionality.
Our review also found that the Mavic 3 Pro flies extremely well, with a suite of safety features making it intuitive enough for even beginners to pilot. The Bypass setting in particular is highly effective at keeping flights smooth and safe while avoiding obstacles. It’s much easier to transport than the DJI Inspire 3 too, although its European C3 weight rating means it is subject to restrictions. If you only need a wide-angle camera, there are more affordable and accessible alternatives. But if you want a consumer drone with maximum flexibility for airborne videography, the Mavic 3 Pro delivers.
Read our in-depth DJI Mavic 3 Pro review
How to choose the best video camera for you
As you’ll find in our list above, the best video cameras come in a range of shapes and sizes. Our guide covers everything from full-frame flagships to compact vlogging cameras, as well as smaller mirrorless models for shooting on the move. Which is right for you will depend primarily on what and where you plan to film, as well as your production budget.
It can be tempting to focus on flagship cameras, which usually offer the highest resolutions and frame rates, plus comprehensive options when it comes to color profiles and video modes. However, you’ll often pay a significant premium for these models. Some pro-grade options are also bulky and heavy, like the Nikon Z9, while others – such as the Blackmagic Pocket Cinema Camera 6K Pro – assume a certain level of expertise, which means they’re only worthwhile for seasoned amateur filmmakers or pros with the means and skills to make the most of their capabilities.
Luckily, you don’t need to spend thousands to secure a versatile video camera. Alternatives with APS-C or Micro Four Thirds sensors are generally smaller and more affordable than their full-frame rivals. They might perform less well in low light, but cameras such as the Panasonic GH6 can still capture outstanding detail at resolutions of 4K and above, with the benefit of a more convenient form factor. The best also feature a full complement of video modes, giving you added editing flexibility.
Other aspects to consider include articulating touchscreens, which make it easier to frame your footage from different angles. If audio is particularly important to your project, consider a video camera with microphone and headphone ports. Recording time limits will be crucial if you’re producing lengthy clips, while the smoothing abilities of in-body image stabilization are a key consideration if you’re planning to shoot handheld.
What’s the best video camera for those on a budget?
While the very best, cutting-edge video cameras will inevitably cost a lot of money, you don’t need to blow thousands on something to shoot excellent footage. There are plenty of affordable camera models available which allow you to record sharp, stable video in a range of scenarios.
If you’re looking for an accessible camera that can capture steady shots on the go, something like the DJI Pocket 3 could be just what you need. Small enough to slip in your pocket, its three-axis gimbal can capture shake-free 4K shots while you walk. You get a lot for your money – including subject tracking with the motorized head. So for solo vloggers on a budget, it’s well worth considering.
Alternatively, a rugged action cam like the GoPro Hero 11 Black puts a lot of video performance in a small, sturdy and relatively affordable package. While it can’t capture the same cinematic depth of field effects you’d get from a more expensive model, it can record rock-steady results in sharp, bright 5.3K. It can also go anywhere, connect readily to your smartphone for live streaming and produce creative results thanks to its range of preset shooting modes.
Looking for a little more manual control? Sony’s ZV-E10 combines a compact form factor with plenty of video versatility, at a very fair price. 4K frame rates are limited to 30fps and there is an issue with rolling shutter when panning. But it also features a fully-articulating touchscreen, ports for external audio gear and the option to swap lenses to suit the scenario.
If your budget can stretch a little further, the Panasonic GH5 Mark II offers outstanding value. It builds on what was already one of the best mirrorless cameras for shooting 4K content, offering a wide variety of 4K frame rates, resolutions and color profiles in a compact, lightweight body. What really gives it an edge is the inclusion of built-in wireless live streaming skills. It can send footage in real-time to the likes of YouTube, without any additional kit, which makes it a brilliantly accessible option for streamers.
How we test video cameras
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The key features for a good video camera are its autofocus, stabilization and audio options, as well as the outright quality of its footage. These are the core areas that we focus on in our real-world tests.
To review video quality, we record at a camera’s highest available resolution and frame-rate in a range of handheld settings, to cover the kind of scenarios that many videographers might shoot. We shoot walk-and-talk clips to test how each camera handles aspects such as detail and rolling shutter. We also shoot in high-contrast conditions to check how well the auto-exposure adapts to lighting changes.
These tests are also a good way to test how a video camera’s Face and Eye tracking autofocus performs, as well as the reliability of its image stabilization, if available.
Many of the best video cameras include features such as flat color profiles, 10-bit video, articulating touchscreens and, in the case of the Panasonic GH5 Mark II, wireless live-streaming.
We test all of the functions offered by a video camera to see how they match up to their closest competitors, then draw informed conclusions based on our overall impression of the camera’s construction, design, features and the quality of its output.
